But why not have cut out the
Board and put in the baby? I yield to no one in admiration of
Smithkins' `Fa‡ade of the Waldorf Hotel by Night, in Peace Time.' But
a single light from a lonely hut would have been a finer theme.
I should like to show Smithkins the thing that I call The Golden
Drugget. Or rather, as this thing is greatly romantic to me, and that
painter is so unfortunate in his surname, I should like Smithkins to
find it for himself.
These words are written in war time and in England. There are, I hear,
`lighting restrictions' even on the far Riviera di Levante. I take it
that the Golden Drugget is not outspread now-anights across the high
dark coast-road between Rapallo and Zoagli. But the lonely wayside inn
is still there, doubtless; and its narrow door will again stand open,
giving out for wayfarers its old span of brightness into darkness,
when peace comes.
It is nothing by daylight, that inn. If anything, it is rather an
offence. Steep behind it rise mountains that are grey all over with
olive trees, and beneath it, on the other side of the road, the cliff
falls sheer to the sea. The road is white, the sea and sky are usually
of a deep bright blue, there are many single cypresses among the
olives. It is a scene of good colour and noble form.
Pages:
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118